Beginning at the end : (Record no. 32198)

MARC details
000 -LEADER
fixed length control field nam a22 7a 4500
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 181102b2018 xxu||||| |||| 00| 0 eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780674984431
082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 809.911 STI-R
100 ## - MAIN ENTRY--PERSONAL NAME
Personal name Silling, Robert
245 ## - TITLE STATEMENT
Title Beginning at the end :
Remainder of title decadence, modernism, and postcolonial poetry /
Statement of responsibility, etc. Robert Stilling
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT)
Place of publication, distribution, etc. Cambrindge
Name of publisher, distributor, etc. Harvard University Press
Date of publication, distribution, etc. 2018
300 ## - PHYSICAL DESCRIPTION
Extent 384 p.
365 ## - TRADE PRICE
Price type code INR
Price amount 799.00
500 ## - GENERAL NOTE
General note <br/>In 1857, Charles Baudelaire described the colonial condition as one in which "a nation begins with decadence and starts off where the others leave off." A century later, Frantz Fanon would argue that postcolonial artists were "beginning at the end," following the West's "path of negation and decadence" while skipping the inventive phase of youth. In Beginning at the End, Robert Stilling argues that for writers and artists such as Chinua Achebe, Agha Shahid Ali, Derek Walcott, Wole Soyinka, Yinka Shonibare, Bernardine Evaristo, and Derek Mahon, the notion of being caught between the decadence of Europe and the unformed possibilities of postcolonial cultures marks the founding condition for a postcolonial poetics. For these figures, the idea of decadence would haunt their attempts to carve out a place for the arts in postcolonial society, forcing them to negotiate between their own sense of the demands of art and the pressure to conform to a revolutionary politics. In reimagining the role of poetry and the visual arts in the formation of national cultures, these artists turned toward the oppositional politics and anti-realist aesthetics of writers such as Oscar Wilde to affirm a commitment to artifice and the imagination while fending off the charge of decadence associated with modernism and the idea of art for art's sake. Taking a transnational approach, Beginning at the End expands the study of literary decadence beyond fin-de-siècle Europe, and demonstrates the continuing importance to postcolonial thought of figures such as Oscar Wilde, Henry James, J.-K. Huysmans, Walter Pater, and Max Beerbohm.--
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Postcolonialism and the arts
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Postcolonialism in literature
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Developing countries
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Decadence (Literary movement)
952 ## - LOCATION AND ITEM INFORMATION (KOHA)
Withdrawn status
Holdings
Lost status Source of classification or shelving scheme Damaged status Not for loan Collection code Home library Current library Shelving location Date acquired Cost, normal purchase price Total Checkouts Total Renewals Full call number Barcode Date last seen Date last checked out Price effective from Koha item type
  Dewey Decimal Classification     800 BITS Pilani Hyderabad BITS Pilani Hyderabad General Stack (For lending) 02/11/2018 799.00 1 1 809.911 STI-R 36961 13/07/2024 18/01/2019 02/11/2018 Books
An institution deemed to be a University Estd. Vide Sec.3 of the UGC
Act,1956 under notification # F.12-23/63.U-2 of Jun 18,1964

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