Cinematically speaking : (Record no. 40064)
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000 -LEADER | |
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fixed length control field | 02254nam a22001697a 4500 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
fixed length control field | 190515b2010 xxu||||| |||| 00| 0 eng d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
International Standard Book Number | 9788132117902 |
082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER | |
Classification number | 791.4301 NAY-S |
100 ## - MAIN ENTRY--PERSONAL NAME | |
Personal name | Nayar, Sheila J. |
245 ## - TITLE STATEMENT | |
Title | Cinematically speaking : |
Remainder of title | the orality-literacy paradigm for visual narrative / |
Statement of responsibility, etc. | Sheila J. Nayar |
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
Place of publication, distribution, etc. | India |
Name of publisher, distributor, etc. | Sage Publications |
Date of publication, distribution, etc. | 2010 |
300 ## - PHYSICAL DESCRIPTION | |
Extent | 248 p. |
365 ## - TRADE PRICE | |
Price type code | INR |
Price amount | 850.00. |
500 ## - GENERAL NOTE | |
General note | Most people think of film narrative in fundamentally visual terms. But what if visuality is only one component of a larger epistemic framework for how film narrative "works"? In this book, Sheila J. Nayar argues just that, laying out the comprehensive terrain for what has already been described as a "controversial new theory of cinematic literacy."<br/><br/>Proposing that orality and alphabetic literacy play a fundamental role in shaping visual storytelling, Nayar challenges the way we think about how film stories get shaped, as well as the notion of film as an autonomous mode of storytelling construction. Narrative and aesthetic principles of film, she demonstrates, are significantly impacted by ways of knowing that have-or, in some cases, that have not-emerged as a consequence of a cultural investment in reading, writing and print.<br/><br/>Between close readings of Bollywood cinema and modernist art cinema in 1950s-1990s, as well as of the many cinemas in between-including Indian middle cinema and middle-class cinema-Cinematically Speaking casts a pioneering lens on what goes into shaping screen stories worldwide. It is a theoretical work certain to alter our understanding and future exploration of the narrative-film species.<br/><br/>Table of Contents<br/><br/>Preface<br/>Acknowledgments<br/>Orality, Literacy and an Epistemic Approach to Visual Narrative<br/>Excavating the Oral Characteristics of Visual Narrative<br/>Mapping the Literate Characteristics of Visual Narrative<br/>Between the Oral and Literate Epistemes<br/>The Future of the Orality-Literacy Paradigm, Cinematically Speaking<br/>Appendix A: Reading Closely: The Orality of Baazigar<br/>Appendix B: Titanic as American Orally Inflected Cinema Nonpareil<br/>Bibliography<br/>Author Index<br/>Subject Index |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name as entry element | Motion picture plays |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name as entry element | Motion pictures--Philosophy |
952 ## - LOCATION AND ITEM INFORMATION (KOHA) | |
Withdrawn status |
Lost status | Source of classification or shelving scheme | Damaged status | Not for loan | Collection code | Home library | Current library | Shelving location | Date acquired | Cost, normal purchase price | Total Checkouts | Full call number | Barcode | Date last seen | Price effective from | Koha item type |
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Dewey Decimal Classification | 790 | BITS Pilani Hyderabad | BITS Pilani Hyderabad | General Stack (For lending) | 15/05/2019 | 850.00 | 791.4301 NAY-S | 38613 | 13/07/2024 | 15/05/2019 | Books |