Cinematically speaking : (Record no. 40064)

MARC details
000 -LEADER
fixed length control field 02254nam a22001697a 4500
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 190515b2010 xxu||||| |||| 00| 0 eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9788132117902
082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 791.4301 NAY-S
100 ## - MAIN ENTRY--PERSONAL NAME
Personal name Nayar, Sheila J.
245 ## - TITLE STATEMENT
Title Cinematically speaking :
Remainder of title the orality-literacy paradigm for visual narrative /
Statement of responsibility, etc. Sheila J. Nayar
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT)
Place of publication, distribution, etc. India
Name of publisher, distributor, etc. Sage Publications
Date of publication, distribution, etc. 2010
300 ## - PHYSICAL DESCRIPTION
Extent 248 p.
365 ## - TRADE PRICE
Price type code INR
Price amount 850.00.
500 ## - GENERAL NOTE
General note Most people think of film narrative in fundamentally visual terms. But what if visuality is only one component of a larger epistemic framework for how film narrative "works"? In this book, Sheila J. Nayar argues just that, laying out the comprehensive terrain for what has already been described as a "controversial new theory of cinematic literacy."<br/><br/>Proposing that orality and alphabetic literacy play a fundamental role in shaping visual storytelling, Nayar challenges the way we think about how film stories get shaped, as well as the notion of film as an autonomous mode of storytelling construction. Narrative and aesthetic principles of film, she demonstrates, are significantly impacted by ways of knowing that have-or, in some cases, that have not-emerged as a consequence of a cultural investment in reading, writing and print.<br/><br/>Between close readings of Bollywood cinema and modernist art cinema in 1950s-1990s, as well as of the many cinemas in between-including Indian middle cinema and middle-class cinema-Cinematically Speaking casts a pioneering lens on what goes into shaping screen stories worldwide. It is a theoretical work certain to alter our understanding and future exploration of the narrative-film species.<br/><br/>Table of Contents<br/><br/>Preface<br/>Acknowledgments<br/>Orality, Literacy and an Epistemic Approach to Visual Narrative<br/>Excavating the Oral Characteristics of Visual Narrative<br/>Mapping the Literate Characteristics of Visual Narrative<br/>Between the Oral and Literate Epistemes<br/>The Future of the Orality-Literacy Paradigm, Cinematically Speaking<br/>Appendix A: Reading Closely: The Orality of Baazigar<br/>Appendix B: Titanic as American Orally Inflected Cinema Nonpareil<br/>Bibliography<br/>Author Index<br/>Subject Index
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Motion picture plays
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Motion pictures--Philosophy
952 ## - LOCATION AND ITEM INFORMATION (KOHA)
Withdrawn status
Holdings
Lost status Source of classification or shelving scheme Damaged status Not for loan Collection code Home library Current library Shelving location Date acquired Cost, normal purchase price Total Checkouts Full call number Barcode Date last seen Price effective from Koha item type
  Dewey Decimal Classification     790 BITS Pilani Hyderabad BITS Pilani Hyderabad General Stack (For lending) 15/05/2019 850.00   791.4301 NAY-S 38613 13/07/2024 15/05/2019 Books
An institution deemed to be a University Estd. Vide Sec.3 of the UGC
Act,1956 under notification # F.12-23/63.U-2 of Jun 18,1964

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