Where histories reside : (Record no. 78626)
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000 -LEADER | |
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fixed length control field | 02024nam a22002057a 4500 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
fixed length control field | 220331b2020 |||||||| |||| 00| 0 eng d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
International Standard Book Number | 9789352879038 |
082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER | |
Classification number | 791.430954 JAI-P |
100 ## - MAIN ENTRY--PERSONAL NAME | |
Personal name | Jaikumar, Priya |
245 ## - TITLE STATEMENT | |
Title | Where histories reside : |
Remainder of title | India as filmed space / |
Statement of responsibility, etc. | Priya Jaikumar |
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
Place of publication, distribution, etc. | India |
Name of publisher, distributor, etc. | Orient Black Swan |
Date of publication, distribution, etc. | 2020 |
300 ## - PHYSICAL DESCRIPTION | |
Extent | 398p. |
365 ## - TRADE PRICE | |
Price type code | INR |
Price amount | 985.00 |
500 ## - GENERAL NOTE | |
General note | In Where Histories Reside Priya Jaikumar examines eight decades of films shot on location in India to write a magisterial history of the nation’s filmed spaces. A broad idea of the space created by a camera’s interaction with real places underlies this history, which accounts for the spatiality of a film’s screen fashioned by camera angles and edits, in conjunction with the socio-political dynamics of territory and geography.<br/><br/>Whether discussing Jean Renoir’s The River (1951), which portrays a universal human condition through particular landscapes in Bengal, or Films Division documentaries about India’s mountainous borderlands, or Bollywood films today that are changing the look of background actors and settings, Jaikumar demonstrates that filming a location always involves competing assumptions, experiences, and visual practices. In so doing, she writes a bold “spatial” film historiography, outlining factors that have shaped India's filmed locations and architectures, from state bureaucracies and commercial infrastructures to aesthetic styles and neoliberal policies. She also shows why the study of cinema, whether celluloid or digital, must account for an aesthetics and politics of space.<br/><br/>This book will interest scholars of film and media studies, history, film theory, visual and spatial studies, architecture and urban studies, geography, comparative studies, and postcolonial studies. |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name as entry element | Motion picture industry |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name as entry element | Motion picture locations |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name as entry element | Motion pictures |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name as entry element | Motion pictures--Production and direction |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name as entry element | India |
952 ## - LOCATION AND ITEM INFORMATION (KOHA) | |
Withdrawn status |
Lost status | Source of classification or shelving scheme | Damaged status | Not for loan | Collection code | Home library | Current library | Shelving location | Date acquired | Cost, normal purchase price | Total Checkouts | Full call number | Barcode | Date last seen | Date last checked out | Price effective from | Koha item type |
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Dewey Decimal Classification | 790 | BITS Pilani Hyderabad | BITS Pilani Hyderabad | General Stack (For lending) | 31/03/2022 | 985.00 | 1 | 791.430954 JAI-P | 44973 | 13/07/2024 | 19/11/2022 | 31/03/2022 | Books |