What makes an artwork great? / (Record no. 93491)
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000 -LEADER | |
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fixed length control field | 01981nam a22001937a 4500 |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20250515105249.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
fixed length control field | 250515b2024 |||||||| |||| 00| 0 eng d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
International Standard Book Number | 9783111374222 |
082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER | |
Classification number | 100 MIT-M |
100 ## - MAIN ENTRY--PERSONAL NAME | |
Personal name | Mitias, Michael H. |
245 ## - TITLE STATEMENT | |
Title | What makes an artwork great? / |
Statement of responsibility, etc. | Michael H. Mitias |
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
Place of publication, distribution, etc. | Berlin |
Name of publisher, distributor, etc. | De Gruyter |
Date of publication, distribution, etc. | 2024 |
300 ## - PHYSICAL DESCRIPTION | |
Extent | 111p. |
500 ## - GENERAL NOTE | |
General note | Michael Mitias presents, explains, and defends in some detail the features that make an artwork great - magic, universality, and the test of time. Although some aestheticians, beginning with Longinus, discussed these features during the past two millennia, they did not analyze them comprehensively, nor did they justify them from the standpoint of a satisfactory conception of the nature of art. In this book, the author first explains the nature of the features that make an artifact art and then proceeds to establish the validity of his thesis on firm epistemological and ontological foundations.00In his endeavor to explicate the nature of this foundation, the author answers four questions. First, what is the genesis of the artwork? What makes it art? He answers this question by advancing a concept of aesthetic depth. The essence of this depth is human meaning. Second, under what perceptual conditions does this depth come to life in the process of aesthetic perception? Third, what is the role of the concept of aesthetic depth in the analysis of the nature of the great artwork? How does the concept of aesthetic depth function as a principle of explanation? Fourth, how can we justify the attribution of magic, universality, and the test of time to the great work of art? In short, an understanding of the genesis of the artwork, aesthetic depth, aesthetic value, and aesthetic perception is indispensable for an adequate conception of greatness in art. |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name as entry element | Philosophy. |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name as entry element | Aesthetics. |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name as entry element | Civilization--Philosophy. |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name as entry element | Masterpiece, Artistic. |
952 ## - LOCATION AND ITEM INFORMATION (KOHA) | |
Withdrawn status |
Lost status | Source of classification or shelving scheme | Damaged status | Not for loan | Collection code | Home library | Current library | Shelving location | Date acquired | Total Checkouts | Full call number | Barcode | Date last seen | Price effective from | Koha item type | Public note |
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Dewey Decimal Classification | 100 | BITS Pilani Hyderabad | BITS Pilani Hyderabad | New Book Display (Welcome to Reserve) | 31/03/2025 | 100 MIT-M | 49974 | 15/05/2025 | 15/05/2025 | New books on display | Display-1 |