Chronicles of a Cairo bookseller / Nadia Wassef
Material type:
- 9781472156839
- 381.4500 WAS-N
Item type | Current library | Collection | Shelving location | Call number | Status | Date due | Barcode | Item holds | |
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BITS Pilani Hyderabad | 380 | General Stack (For lending) | 381.4500 WAS-N (Browse shelf(Opens below)) | Available | 45263 |
Browsing BITS Pilani Hyderabad shelves, Shelving location: General Stack (For lending), Collection: 380 Close shelf browser (Hides shelf browser)
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381.1420954 DAL-M Big billion startup : the untold flipkart story / | 381.149092 WAL-S Made in America : my story / | 381.1920 RIP-M Golden flea : a story of obsession and collecting / | 381.4500 WAS-N Chronicles of a Cairo bookseller / | 381.45002 CAM-J Bookshop book / | 381.4568 LAN-K I love capitalism! : | 382 ACH-R Trade and environment / |
"The streets of Cairo make strange music. The echoing calls to prayer, the raging insults hurled between drivers; the steady crescendo of horns honking; the shouts of street vendors; the television sets and radios blaring from every sidewalk. Nadia Wassef knows this song by heart. In 2002, with her sister, Hind, and their friend, Nihal, she founded Diwan, a fiercely independent bookstore. They were three young women with no business degrees, no formal training, and nothing to lose. At the time, nothing like Diwan existed in Egypt. The culture was languishing under government mismanagement, and books were considered a luxury, not a necessity. Ten years later, Diwan had become a rousing success, with ten locations, 150 employees, and a genuine fan base. Frank, fresh, and very funny, Nadia Wassef's memoir tells the story of this journey. Its eclectic cast of characters features Diwan's impassioned regulars, like the demanding Dr Medhat; Samir, the driver with CEO aspirations; meditative and mythical Nihal; silent but deadly Hind; dictatorial and exacting Nadia, a self-proclaimed bitch to work with - and the many people, primarily men, who said Diwan would never work. Chronicles of a Cairo Bookseller is a portrait of a country hurtling toward revolution, a feminist rallying cry, and an unapologetic crash course in running a business under the law of entropy. Above all, it is a celebration of the power of words to bring us home.
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