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Greatest Gujarati stories ever told edited by Rita Kothari

By: Material type: TextTextPublication details: India Aleph Book Company 2022Description: 240pISBN:
  • 9789391047481
Subject(s): DDC classification:
  • Fiction KOT-R
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Item type Current library Collection Shelving location Call number Copy number Status Date due Barcode Item holds
Books Books BITS Pilani Hyderabad FIC Fiction "1st Floor" Fiction KOT-R (Browse shelf(Opens below)) INR 699.00 Available 49417
Total holds: 0
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Fiction KOT-A Draupadi in heels / Fiction KOT-F Object of your affections / Fiction KOT-G Girl's don't cry / Fiction KOT-R Greatest Gujarati stories ever told edited by Fiction KRE-J In too deep / Fiction KRI-A Despite stolen dreams / Fiction KRI-A Miracles for the maharaja /

The twenty-three stories in The Greatest Gujarati Stories Ever Told represent some of the finest short fiction in Gujarati literature. Selected and edited by translator and writer Rita Kothari, this collection features established literary masters such as K. M. Munshi, Dhumketu, Himanshi Shelat, Dalpat Chauhan, Nazir Mansuri, and Mona Patrawalla, as well as accomplished new voices such as Panna Trivedi, Abhimanyu Acharya, Raam Mori, and others. In K. M. Munshi’s epistolary ‘A Letter’, a childbride is worked to her death as she yearns for her husband’s affection; in Neerav Patel’s ‘Creamy Layer’, the politicized, urban, and upwardly mobile Mr and Mrs Vaghela must confront the deep chasm that has grown between them and their family in the village; in Panna Trivedi’s ‘Maajo’, the story’s eponymous young narrator longs for butter-soft skin and a Shah Rukh-like glance from a young man on the train; in ‘Saubhagyavati: The Fortunate Wife’, Dwiref explores the selfish and oppressive nature of marital sex; in ‘A Drop of Blood’ Jayant Khatri looks at how violent acts engender more violence; Mona Patrawalla explores the tribal region of the Dangs and paints a hairraising picture of the violent forms of power wielded by the Parsi landlords there in ‘The Black Horse’; in Dashrath Parmar’s ‘Nandu’, the narrator struggles to hide his caste in the face of insistent questions; in ‘Jumo Bhishti’ by Dhumketu, we see the wonderful bond between Jumo and his beloved buffalo, Venu; and in Abhimanyu Acharya’s ‘Chunni’, a young woman, Shaili, navigates the world of dating in a city far away from home—these and other stories in the collection are passionate, profound, and timeless, showcasing a range of styles and offering a variegated and singular picture of Gujarat.

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