000 | 01482nam a22001817a 4500 | ||
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008 | 160328b2015 xxu||||| |||| 00| 0 eng d | ||
020 | _a9781107514881 | ||
082 | _a791.4302 FRE-J | ||
100 | _aedited by Freedman, Jonathan | ||
245 |
_aCambridge companion to Alfred Hitchcock / _cedited by Jonathan Freedman |
||
260 |
_aNew York _bCambridge University Press _c2015 |
||
300 | _a259 p. | ||
365 |
_aGBP _b17.99. |
||
500 | _aAlfred Hitchcock was, despite his English origins and early career, an American master. Arriving on US shores in 1939, for the next three decades he created a series of masterpieces that redefined the nature and possibilities of cinema itself: Rebecca, Notorious, Strangers on a Train, Rear Window, Vertigo and Psycho, to name just a few. In this Companion, leading film scholars and critics of American culture and imagination trace Hitchcock's interplay with the Hollywood studio system, the Cold War, and new forms of sexuality, gender and desire over his American career. This Companion explores the way in which Hitchcock was transformed by the country where he made his home and did much of his greatest work. This book will be invaluable as a guide for both fans and students of Hitchcock and twentieth-century American culture, providing a set of new perspectives on a much-loved and hugely influential director. | ||
650 | _aHitchcock, Alfred, 1899-1980 | ||
650 | _aMotion picture producers and directors | ||
650 | _aUnited States | ||
999 |
_c23309 _d23309 |