000			02313cam a22004098i 4500
999			_c39107 _d39107
001			20586010
005			20190304105758.0
008			180328s2018 enk b 001 0 eng c
010			_a 2018011062
020			_a9781107193857
020			_a9781316645215
040			_aLBSOR/DLC _beng _erda _cLBSOR
042			_apcc
043			_ae-uk--- _an-us---
050	0	0	_aPR826 _b.S735 2018
082	0	0	_a823.009 STE-G _222
100	1		_aStewart, Garrett, _eauthor.
245	1	4	_aThe value of style in fiction / _cGarrett Stewart.
260			_aUK _bCambridge _c2018
263			_a1805
300			_a147 p.
365			_aGBP _b18.99
504			_aIncludes bibliographical references and index.
505	0		_aIntroduction: Verbal investments: Richness, wealth, value -- Emergent turns: Defoe toward Dickens -- Stylistic microplots: Melville to Miéville -- A rhetorical spectrum: Wharton, Woolf, Waugh, Wallace, and beyond -- Inventory: Some terms of engagement: A to Z.
520			_a"One may speak of the richness of a sentence, the wealth of its invention, but value feels less metaphoric. Why--and, if so, how deployed here? In what relation to the thread and tread, the texture and pace, of words in their ordered but not ordained row? And what critical investments are implied by even starting with such questions? How will we end up wishing to posit the worth of style in the wording of single sentences by Austen or Hawthorne or Dickens or Conrad or Woolf? Or, more to the point: wanting to ask what style is worth in the work of analysis, as well as in the tenor of response?"--
650		0	_aEnglish fiction _xHistory and criticism.
650		0	_aAmerican fiction _xHistory and criticism.
650		0	_aEnglish language _xStyle.
650		0	_aLiterary style.
650		0	_aFiction _xTechnique.
906			_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg
955			_aLBSOR _ixk16 2018-07-18