000 | nam a22 7a 4500 | ||
---|---|---|---|
999 |
_c39790 _d39790 |
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008 | 190425b2010 xxu||||| |||| 00| 0 eng d | ||
020 | _a9781138292888 | ||
082 | _a791.4301 FUR-M | ||
100 | _aedited by Furstenau, Marc | ||
245 |
_aThe film theory reader : _bdebates and arguments / _cedited by Marc Furstenau |
||
260 |
_aLondon _bRoutledge _c2010 |
||
300 | _a304 p. | ||
365 |
_aINR _b1595.00. |
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500 | _aThe Film Theory Reader brings together a range of key theoretical texts, organized thematically to emphasise the development of specific critical concepts and theoretical models in the field of film theory. Each section presents well-known or significant texts, which have introduced a particularly influential concept, followed by texts that have developed or extended the concept, or that have offered explicit critiques or arguments against the original model. The collection thus represents and reproduces the debates and arguments that have shaped the theoretical landscape of film studies, guiding the reader through the complex terrain of theoretical debate, and offering suggestions for further reading and research. An Introduction from the editor contextualises the essays and provides a logical guide to the book, clarifying the links between articles and tracing the development of key arguments. The notes to the Introduction include extensive references, for readers to explore and further their own studies, as they are guided through the history of debate in film theory. | ||
650 | _aMotion pictures--Philosophy |